Please use this identifier to cite or link to this item: http://hdl.handle.net/10071/37047
Author(s): Lopes, M. M.
Damásio, M. J.
Sousa, C.
Rodrigues, H.
Date: 2026
Title: Screen style: Visual elements and brand identity in fashion films
Journal title: Journal of Marketing Communications
Volume: N/A
Reference: Lopes, M. M., Damásio, M. J., Sousa, C., & Rodrigues, H. (2025). Screen style: Visual elements and brand identity in fashion films. Journal of Marketing Communications. https://doi.org/10.1080/13527266.2025.2573319
ISSN: 1352-7266
DOI (Digital Object Identifier): 10.1080/13527266.2025.2573319
Keywords: Fashion films
Brand identity
Visual narrative
Audience perception
Fashion branding
Abstract: This study examines how fashion films are perceived by different audience segments, with a focus on two primary visual elements: costume and cinematography. Using an experimental and segmentation-based approach, the study assesses how these elements influence the perception of brand identity. A sample of 318 participants, segmented by their relationship with fashion, were shown a fashion film and then completed a structured questionnaire. The results show that fashion professionals and students consistently value these visual elements more than ordinary consumers, and that their perception is positively associated with the effectiveness of brand communication. The findings highlight the symbolic power of costume and cinematography in constructing aesthetic, emotional, and cultural meanings. From a strategic perspective, the study suggests that fashion films can be highly effective tools for communicating brand identity, particularly when targeting more fashion-savvy audiences. This research contributes to a better understanding of how fashion films function as symbolic and immersive branding experiences.
Peerreviewed: yes
Access type: Open Access
Appears in Collections:BRU-RI - Artigos em revistas científicas internacionais com arbitragem científica

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